ACM SIGCHI General Interest Announcements (Mailing List)


Options: Use Forum View

Use Monospaced Font
Show HTML Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
AI Music Creativity 2022 <[log in to unmask]>
Reply To:
AI Music Creativity 2022 <[log in to unmask]>
Mon, 14 Mar 2022 13:33:34 +0900
text/plain (91 lines)
Apologies for cross-posting, please circulate widely!

*CFP - 2nd Call*

*3rd Conference on AI Music Creativity*
13-15 September 2022, online

The 3rd Conference on AI Music Creativity (AIMC 2022) integrates two
overlapping research forums: The Computer Simulation of Music Creativity
Conference (est. 2016) and The International Workshop on Musical
Metacreation (est. 2012). The objective of the conference is to bring
together scholars and artists interested in the emulation and extension of
musical creativity through computational means and to provide them with an
interdisciplinary platform in which to present and discuss their work in
scientific and artistic contexts.

AIMC 2022 will be hosted from Japan and held online. The three-day program
will feature paper presentations, artistic sessions, panel discussions,
workshops/tutorials, and three keynotes.

Further details can be found below and on the conference website:

*Conference theme*

The theme of AIMC 2022 is:
"The Sound of Future Past — Colliding AI with Music Tradition"
This year we put the emphasis on implications of political, sociological
and aesthetic nature arising when AI techniques & methods are applied to
the generation of music modeled on traditional musical expressions and
For example, AI involvement with musical traditions foregrounds issues
regarding copyright, technocratic appropriation and dilution of musical
expression specificities, standardization on genres, perpetuation of
embedded musico-cultural biases and cliches, uniformization of the
aesthetic experience as a result of indiscriminate usage of music corpora,
to name but a few.

*Call for Participation/Contribution*

We invite submissions in three categories:
papers, music works, and workshops/tutorials

For more information, please visit:

*Important dates*

Submission deadline: 25 April 2022
Notification of acceptance: 15 June 2022
Camera-ready deadline: 15 July 2022
Deadline for author registration: 31st July 2022
Conference dates: 13-15 September 2022

*Organizing committee*
Conference Chair & Webmaster:
        Stefano Kalonaris, RIKEN, Japan

Artistic Program Chairs:
        Akihiro Kubota, Tama Arts University, Japan
        Cathy Cox, Kunitachi College of Music, Japan

Scientific Program Chairs:
        Taketo Akama, Sony CSL, Japan
        Eric P. Nichols, Zillow Group, USA

Workshops & Tutorials Chairs:
        Hiroya Miura, RIKEN, Japan
        Iris Yuping Ren, Utrecht University, Netherlands

Virtual Conference Chairs:
        Tomasz Rutkowski, RIKEN, Japan
        Anna Aljanaki, University of Tartu, Estonia
        Gianluca Micchi, IRIS Audio Technologies, UK

Public Relations:
        Motoko Kakubayashi, Freelance Writer, Japan

    To unsubscribe from CHI-ANNOUNCEMENTS send an email to:
     mailto:[log in to unmask]

    To manage your SIGCHI Mailing lists or read our polices see: