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Subject:
From:
"Simon.Holland" <[log in to unmask]>
Reply To:
Simon.Holland
Date:
Fri, 8 Jan 2016 14:48:32 +0000
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The deadline for submission to this workshop has been extended to 10th January (Midnight PST).

***************************************************************************
CALL FOR PAPERS: CHI 2016 Workshop on Music and HCI
A one-day workshop at CHI 2016, San Jose, CA, USA (https://chi2016.acm.org/wp/workshops/)
7th May 2016
http://mcl.open.ac.uk/music-chi
***************************************************************************

== Important Dates ==
10 January 2016   -- Deadline for position paper submission  (Midnight PST )
15 January 2016   -- Notification of acceptance
5 February 2016   -- Deadline for final copy of accepted position papers
7th May 2016       -- Workshop date

Please find the details and templates here: http://mcl.open.ac.uk/music-chi
Submission site: https://easychair.org/conferences/?conf=hcimusic2016

== Topic ==
Music is an evolutionarily deep-rooted, abstract, real-time, complex, non-verbal, social activity. Consequently, interaction design in music can be a valuable source of challenges and new ideas for HCI.

We invite position papers from those engaged in research in any area of Music Interaction or HCI who would like to contribute to a sustained widening of the dialogue between the distinctive concerns of the Music Interaction community and the wider HCI community.

== The workshop ==
This workshop will reflect on the latest research in Music and HCI (Music Interaction for short), with the aim of strengthening the dialogue between the Music Interaction community and the wider HCI community. We will explore recent ideas from Music Interaction that may contribute new perspectives to general HCI practice, and conversely, recent HCI research in non-musical domains with implications for Music Interaction. We will also identify any concerns of Music Interaction that may require unique approaches.

Presentation of position papers will be followed by the identification of issues for in-depth discussions in smaller groups. Each group will attempt to identify the basis for a potential collaborative follow-up paper.

Follow-up goals include a book or special journal issue to which all authors will be invited to submit extended versions of their submission, together with collaboratively produced papers.

== How to Submit ==
Those wishing to attend should submit an anonymized 2-4 page position paper using the extended abstract format before the deadline of 10th January 2016.
Please find the details and templates here: http://mcl.open.ac.uk/music-chi
Submission site: https://easychair.org/conferences/?conf=hcimusic2016

== IMPORTANT ==
At least one author of each accepted paper must attend the workshop and register for both the workshop and at least one day of the conference.
Conference and workshop registration will open on 14 December 2015. Please refer to the CHI 2016 conference website (http://chi2016.acm.org/wp/) for details on registration, accommodation and travel.

== Contact ==
If you have any questions please do not hesitate to get in touch with us at [log in to unmask]<mailto:[log in to unmask]>.
See also details on our workshop website: http://mcl.open.ac.uk/music-chi

== Organisers ==
Simon Holland, The Music Computing Lab, Centre for Research in Computing, The Open University, UK.
Andrew McPherson, Centre for Digital Music, Queen Mary University of London, UK.
Wendy MacKay, Laboratoire de Recherche en Informatique, INRIA Saclay, Universite Paris Sud, France.
Marcelo Wanderley, Centre for Interdisciplinary Research in Music, Media and Technology, McGill University, Montreal, Quebec, Canada.
Michael Gurevich, School of Music, Theatre & Dance, University of Michigan, Ann Arbor, MI, USA.
Tom Mudd, The Music Computing Lab, Centre for Research in Computing, The Open University, UK.
Sile O'Modhrain, School of Music, Theatre and Dance, University of Michigan, Ann Arbor, MI, USA.
Katie Wilkie, The Music Computing Lab, Centre for Research in Computing, The Open University, UK.
Joseph Malloch, Inria, Universite Paris Sud, CRNS, Universite Paris Saclay, France.
Jeremie Garcia, Department of Computing, Goldsmiths, University of London, UK.
Andrew Johnston, Creativity & Cognition Studios, University of Technology, Sydney, Australia. -- The Open University is incorporated by Royal Charter (RC 000391), an exempt charity in England & Wales and a charity registered in Scotland (SC 038302). The Open University is authorised and regulated by the Financial Conduct Authority.

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