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Sender: "ACM SIGCHI General Interest Announcements (Mailing List)" <[log in to unmask]>
X-To: alex <[log in to unmask]>
Date: Thu, 28 May 2015 12:23:25 +0000
Reply-To: Midas Nouwens <[log in to unmask]>
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From: Midas Nouwens <[log in to unmask]>
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Apologies for the previous email, something went wrong.

On Thu, May 28, 2015 at 2:21 PM Midas Nouwens <[log in to unmask]>

> On Thu, May 28, 2015 at 1:06 PM alex <[log in to unmask]> wrote:
>> First International Conference on Live Coding
>> ICSRiM, School of Music, University of Leeds
>> 13th-15th July 2015
>> We are happy to announce that registration for ICLC2015 is now open.
>> Live coding turns programming languages into live interfaces, allowing
>> us to directly manipulate computation via its notation. Live coding
>> has great potential, being used for example to create improvised music
>> and visuals, to allow developers to collaborate in new ways, to better
>> understand computational models by making fundamental changes to them
>> on-the-fly, and to find new ways to learn and teach programming.
>> Since the beginning of the TOPLAP movement in 2003 (building on an
>> extensive but hidden pre-history), live coding has grown fast,
>> attracting interest from many people in artistic, creative,
>> scientific, educational, business and mixed contexts. After a good
>> number of international events, the time is right to bring these
>> people together for an academic conference, exchanging ideas and
>> techniques, and enjoying dozens of peer reviewed papers and
>> performances. The conference will also open up the field for people
>> new to live coding, so they may develop and contribute their own
>> perspectives on this emerging field. Join us!
>> Registration is £80 (£50 concessions) for the three day conference
>> including lunches, evening events, and more.
>> See the website for details of the developing programme:
>> And register here, completing both the on-line payment and registration
>> forms.
>> ICLC is organised by the Live Coding Research Network, which is funded
>> by the Arts and Humanities Research Council.
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